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Coming Together: The Cinematic Elaboration of Gay Male Life, 1945-1979

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en Limba Engleză Paperback – 09 Aug 2019
In Coming Together, Ryan Powell captures the social and political vitality of the first wave of movies made by, for, and about male-desiring men in the United States between World War II and the 1980s. From the underground films of Kenneth Anger and the Gay Girls Riding Club to the gay liberation-era hardcore films and domestic dramas of Joe Gage and James Bidgood, Powell illuminates how central filmmaking and exhibition were to gay socializing and worldmaking. Unearthing scores of films and a trove of film-related ephemera, Coming Together persuasively unsettles popular histories that center Stonewall as a ground zero for gay liberation and visibility.  Powell asks how this generation of movie-making—which defiantly challenged legal and cultural norms around sexuality and gender—provided, and may still provide, meaningful models for living.
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Paperback (1) 15828 lei  Economic 10-14 zile +4132 lei  6-9 zile
  University of Chicago Press – 09 Aug 2019 15828 lei  Economic 10-14 zile +4132 lei  6-9 zile
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  University of Chicago Press – 09 Aug 2019 49408 lei  Economic 10-14 zile +9446 lei  10-20 zile

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ISBN-13: 9780226634371
ISBN-10: 022663437X
Pagini: 264
Ilustrații: 40 halftones
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.39 kg
Ediția: First Edition
Editura: University of Chicago Press
Colecția University of Chicago Press

Notă biografică

Ryan Powell is assistant professor of cinema and media studies at The Media School at Indiana University, Bloomington.



1 Picturing the Underground
2 The Cinematic Authoring of Gay Life
3 Toward a Gay Mainstream
4 Liberation Porn



“Essential. . . Few books are as important to a field of study as Ryan Powell’s Coming Together is to queer film history.”

“I like to consider myself moderately well-versed in gay cinema, but I learned some surprising things from Ryan Powell’s Coming TogetherComing Together sheds light on the important role gay film has played in our history and emotional lives. For Powell, even hardcore porn movies helped show viewers the emotional truth of gay male life. He argues that these films, with their improbable plots that always lead to sex and quite often to group orgies, reflect on some level the coming-out experience. Ultimately, this is Powell’s unifying theme: the way these films both reflected gay life at the time but also inspired gay men to explore new ways of living.”

“A lively and bold new analysis of male-focused queer cinema over three decades of American history. Powell sets up a fresh perspective, making experimental cinema, community-based spectacle, mainstream features, and hard core porn all talk to each other as male-desiring worldmaking. Astutely uncovering both utopias and contradictions onscreen and off, and rehabilitating everything from the Society of Pat Rocco Enlightened Enthusiasts to American Cream, Coming Together belongs on the bookshelf of every homophile, cinephile, and cultural historian.”

“A brilliant, often enthralling, work of history and historiography. Coming Together gives us a fascinating and meticulously researched account of the development of the collective self-fashioning of gay men from the end of World War Two to the late 1970s, and of the central role filmmaking and filmgoing played in that process. At the same time, it asks us to examine key historiographic issues, such as what counts as part of film history beyond the films themselves; the role of film analysis in social history; and the idea that history may be understood in terms of sudden turning points (as Stonewall is so often perceived). All this is wonderfully held together by the way Powell explores and runs with the terms used by and about gay men; the spatial resonances (in and beyond films) of being ‘underground’ and coming ‘out’; and the multiple implications of ‘coming together’ as historical process, social practice, and erotic ideal. A book as delightful and stimulating as it is rigorous and lucid.”

“A groundbreaking study of the great variety of gay cinema that emerged in the United States after World War Two. Through close engagement with these movies, Powell movingly shows us how much the elaboration of gay male life owes to the storytelling power of all types of films.”