British Colour Cinema: Practices and Theories
Editat de Simon Brown, Sarah Street, Elizabeth Watkinsen Limba Engleză Paperback – 29 May 2013
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Specificații
ISBN-13: 9781844574131
ISBN-10: 184457413X
Pagini: 280
Ilustrații: 30 b/w photos, 5 b/w illustrations
Dimensiuni: 155 x 235 x 19 mm
Greutate: 0.6 kg
Ediția: 2013
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării: London, United Kingdom
ISBN-10: 184457413X
Pagini: 280
Ilustrații: 30 b/w photos, 5 b/w illustrations
Dimensiuni: 155 x 235 x 19 mm
Greutate: 0.6 kg
Ediția: 2013
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării: London, United Kingdom
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Caracteristici
Brings
together
key
contemporary
source
documents
and
original
interviews
with
key
technical
personnel
such
as
cinematographers
Richly
illustrated
in
colour
as
well
as
black
and
white
Notă biografică
SIMON
BROWN
is
Director
of
Studies
for
Film
and
Television
at
Kingston
University.
His
work
has
been
published
in
the
journals
Film
History,
Film
Studies,
Science
Fiction
Film
and
Television,
Early
Popular
Visual
Culture
and
Critical
Studies
in
Television.
He
is
co-editor
of
Color
and
the
Moving
Image:
History,
Theory,
Aesthetics,
Archive
(2012)
(with
Sarah
Street
and
Liz
Watkins)
and
author
of
the
Technical
Appendix
in
Sarah
Street's
Colour
Films
in
Britain:
The
Negotiation
of
Innovation
1900-55
(2012).
SARAH
STREET
is
Professor
of
Film
at
the
University
of
Bristol.
She
is
the
author
of
a
number
of
books
on
British
cinema,
including
Colour
Films
in
Britain:
The
Negotiation
of
Innovation
1900-55
(2012),
and
is
co-editor
of
Color
and
the
Moving
Image:
History,
Theory,
Aesthetics,
Archive
(2012)
(with
Simon
Brown
and
Liz
Watkins),
publications
which,
in
addition
to
this
volume,
resulted
from
a
research
project
funded
by
the
AHRC.
Sarah
Street
is
co-editor
of
Screen
and
the
Journal
of
British
Cinema
and
Television.
LIZ
WATKINS
is
a
lecturer
at
the
University
of
Leeds.
She
has
been
published
in
a
number
of
film
journals,
including
Parallax,
Paragraph
and
the
British
Journal
of
Cinema
and
Television.
She
is
co-editor
of
Color
and
the
Moving
Image:
History,
Theory,
Aesthetics,
Archive
(2012)
(with
Simon
Brown
and
Sarah
Street).
Cuprins
Acknowledgments.-
Permissions.-
About
the
Authors.-
Introduction.-
PART
I:
COLOUR
AND
THE
CAMERA:
CINEMATOGRAPHERS.-
1.
Introduction.-
2.
Interview:
Chris
Challis.-
3.
Interview:
Pat
Jackson.-
4.
Document:
Jack
Cardiff,
'Shooting
Western
Approaches',
The
Cine-Technician,
Nov-Dec
1944.-
5.
Interview:
Ossie
Morris.-
6.
Interviews:
Guy
Green,
Erwin
Hillier,
Douglas
Slocombe,
Paul
Beeson,
Stan
Sayer.-
7.
Document:
Ronald
Neame,
'A
Talk
on
Technicolor',
The
Cine-Technician,
May-June
1944.-
PART
II:
POST-PRODUCTION.-
8.
Introduction.-
9.
Interview:
Syd
Wilson.-
10.
Interview:
Dave
Davis.-
11.
Interview:
Bernard
Happé.-
12.
Interview:
Frank
Littlejohn.-
13.
Interview:
Les
Ostinelli.-
PART
III:
ARCHIVING.-
14.
Introduction.-
15.
Interview:
Paul
De
Burgh.-
16.
Document:
'Preservation
of
Films',
Kinematograph
Weekly,
13
March
1952.-
17.
Interview:
Jaoa
de
Olivera.-
18.
Interview:
Keiron
Webb.-
19.
Interview:
Sonia
Genaitay.-
20.
Document:
Robert
M.
Fanstone,
'Experiences
with
Dufaycolor
Film',
British
Journal
of
Photography,
7
June
1935.-
21.
Document:
'Gasparcolor
Explained
to
the
R.P.S.',
Kinematograph
Weekly
31
January
1935.-
22.
Interview:
Paolo
Cherchi
Usai.-
23.
Interview:
Ulrich
Rüdel
and
Daniela
Currò.-
24.
Interview:
Giovanna
Fossati.-
PART
IV:
THEORY.-
25.
Introduction.-
26.
Document:
Adrian
Cornwell-Clyne,
'The
Future
of
the
Colour
Film'
in
Colour
Cinematography
(London:
Chapman
Hall,
1951).-
27.
Document:
E.S.
Tompkins,
'In
Defence
of
'Glorious'
Colour',
British
Journal
of
Photography,
3
Mar
1944.-
28.
Document:
Paul
Nash,
'The
Colour
Film'
in
Charles
Davy
(ed.),
Footnotes
to
the
Film
(London:
Lovat
Dickson
Ltd,
Readers'
Union
Ltd,
1938).-
Index.