British Children's Cinema: From the Thief of Bagdad to Wallace and Gromit: Cinema and Society
Autor Noel Brownen Limba Engleză Hardback – 22 dec 2016
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 255.50 lei 6-8 săpt. | |
Bloomsbury Publishing – 29 iul 2021 | 255.50 lei 6-8 săpt. | |
Hardback (1) | 847.73 lei 6-8 săpt. | |
Bloomsbury Publishing – 22 dec 2016 | 847.73 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781784534004
ISBN-10: 1784534005
Pagini: 320
Ilustrații: 25 bw illus
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Seria Cinema and Society
Locul publicării:London, United Kingdom
ISBN-10: 1784534005
Pagini: 320
Ilustrații: 25 bw illus
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Seria Cinema and Society
Locul publicării:London, United Kingdom
Notă biografică
Noel Brown is Senior Lecturer in Media & Communication at Liverpool Hope University. His books include Contemporary Hollywood Animation (2021), The Children's Film (2017) and The Hollywood Family Film (2012).
Cuprins
Introduction 1. In the Beginning: Children and British Cinema in the Silent Era 2. The Children's Adventure Movie, 1930-60 3. Family Entertainers: Formby, Hay, Lucan, Wisdom 4. J. Arthur Rank, Saturday Morning Cinema and the Children's Film Foundation 5. Happiest Days: British Cinema and the Family Audience in the Fifties6. Disney in Britain7. Summers of Love and Winters of Discontent: The Sixties and Seventies8. From Thatcher to Blair: The Eighties and Nineties9. Exporting EnglishnessConclusion
Recenzii
Anyone familiar with Noel Brown's work on the Hollywood family film will welcome this new book from a foremost authority in the field. Brown maps the history of the British children's film across the decades and expertly demonstrates how this too often under-appreciated mode of film practice not only drew some of Britain's leading film-makers but has also proved a continuous and culturally significant presence in the film culture. This is no mere nostalgia fest - though readers will find much to spark their interest - but an exemplary piece of social film history by a scholar at the top of his game.