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Berlin Now: The City After the Wall

De (autor) Traducere de Sophie Schlondorff
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en Limba Engleză Carte Paperback – 18 Aug 2015

A smartly guided romp, entertaining and enlightening, through Europe's most charismatic and enigmatic city
It isn't Europe's most beautiful city or its oldest. Its architecture is not more impressive than that of Rome or Paris; its museums do not hold more treasures than those in Barcelona or London. And yet, "when natives of New York, Tel Aviv, or Rome ask me where I'm from and I allude to Berlin," writes Peter Schneider, "their eyes instantly light up."
"Berlin Now" is a longtime Berliner's bright, bold, and digressive exploration of the heterogeneous allure of this vibrant city. Delving beneath the obvious answers Berlin's club scene, bolstered by the lack of a mandatory closing time; the artistic communities that thrive due to the relatively low cost of living Schneider takes us on an insider's tour of this rapidly metamorphosing metropolis, where high-class soirees are held at construction sites and enterprising individuals often accomplish more, and without public funding (assembling, for example, a makeshift club on the banks of the Spree River), than Berlin's officials do.
Schneider's perceptive, witty investigations of everything from the insidious legacy of suspicion instilled by the East German secret police to the clashing attitudes toward work, food, and love held by former East and West Berliners have been sharply translated by Sophie Schlondorff. The result is a book so lively that readers will want to jump on a plane just as soon as they've finished their adventures on the page."

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Specificații

ISBN-13: 9780374535421
ISBN-10: 0374535426
Pagini: 336
Dimensiuni: 130 x 201 x 23 mm
Greutate: 0.32 kg
Editura: Farrar, Straus and Giroux

Recenzii

Peter Schneider makes the city come alive. He knows his stuff and shares it beautifully, elegantly, generously and informatively. Berlin has found its bard
Enlightening. Berlin resident Schneider unearths the city's charms and hazards . . . [to] reveal an authentic city that does not bother being more lively than beautiful
Wonderful
Marvelous . . . creates, in very few words, the unreal reality of Berlin
Schneider's description of the Berlin Wall from both sides . . . is the ultimate depiction of this structure. Nothing more need be said
Peter Schneider, a novelist and essayist who knows and loves Berlin like few other living German writers, gives an intimate picture of the city's transformation
The inside story of the city then and now
Berlin Now is stuffed with glorious anecdotes about the rows over architecture, infrastructure, sexuality and morality in a city forced to weld itself together since 1989
As rich, vibrant and snappy as its subject
In 30-odd short pieces on the city's architecture, its immigrant communities, its famous night life and its sexual mores, Mr. Schneider tries to answer this question: If Berlin is not beautiful, why is it so beloved? To his credit, he avoids the easy answers
A gathering of illuminations, a button box of participant observations . . . Schneider is an old-school flaneur, a psychogeographer who can screw down very close upon a subject. He finds a wide scattering of exceptional nooks and crannies whose critical mass may well be the city's soul
Illuminating. Page after page yields surprising nuggets of wisdom . . . Schneider entrances with his off-the-beaten-track forays. His final picture is a detailed and absorbing portrait of an unfinished city that has all the dynamism of a complete one
[An] engrossing book, which attempts what's practically impossible - describing the essence of what makes Berlin so Berlin
The author of The Wall Jumper presents his collected musings about the city that has inspired and perplexed him since he was first seduced by West Berlin as a young man in the early 1960s. Berlin is not traditionally beautiful, he notes; it is a hodgepodge of cultural fits and starts . . . It is a city scarred by its history but also proud of its weirdness, its resilience, and its condition of constant change. In the end, Schneider seems to suggest, liveliness is far more important than beauty
An intriguing journey through Berlin by a longtime interested observer