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Architecture and Armed Conflict: The Politics of Destruction

Editat de J. M. Mancini, Keith Bresnahan
Notă GoodReads:
en Limba Engleză Hardback – 30 Jul 2014
Bringing together specialists from a range of relevant fields and drawing on a range of global case studies, this book provides the first synthetic body of research on the complex, multifaceted subject of architectural destruction in the context of conflict. Situated in a strong framework, the book addresses several key questions: How has the targeted destruction of buildings and landscapes been used as a deliberate technique of war, conquest, or armed liberation in recent conflicts? How have individuals, cultures, and states responded to the deliberate and collateral destruction of architecture? How have individuals, institutions, and states represented architectural destruction, and to what ends? What are the relationships between the destruction of architecture and the destruction of art, particularly iconoclasm? Does armed conflict engender further processes of architectural destruction that persist in post-conflict environments? What are the relationships between architectural destruction and processes of restoration, recreation or replacement?Considering multiple conflicts, multiple time periods, and multiple locations, this collection provides an essential primer for this crucial topic.
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Specificații

ISBN-13: 9780415702492
ISBN-10: 0415702496
Pagini: 219
Dimensiuni: 175 x 246 x 18 mm
Greutate: 0.54 kg
Ediția: New.
Editura: Routledge

Notă biografică

J. M. Mancini is a lecturer in the Department of History, National University of Ireland Maynooth, and was previously lecturer in the School of English and American Studies, University of Sussex. Her publications include Pre-Modernism: Art-World Change and American Culture from the Civil War to the Armory Show (Princeton University Press, 2005), and articles in American Quarterly, American Literary History, Critical Inquiry, Winterthur Portfolio and other journals. She has been the recipient of prizes and fellowships including the Patricia and Phillip Frost Essay Prize for the best article published in American Art, 2011; the 2008 Charles C. Eldredge Prize for Outstanding Scholarship in American Art; and a year as a Getty Fellow at the Getty Research Institute (2006-2007). Keith Bresnahan is Assistant Professor of Design History and Theory at OCAD University in Toronto. He completed his PhD in Social and Political Thought at York University (Toronto) in 2007; from 2008-09, he was a SSHRC postdoctoral fellow at the Faculty of Architecture, Landscape, and Design at the University of Toronto. He is currently finishing a book on architecture and the philosophy of experience in the eighteenth-century, and is in the early stages of research toward a projected book-length project on architectural destruction in Revolutionary France.