A Vice for Voices: Reading Emily Dickinson's Correspondence
Autor Marietta Messmeren Limba Engleză Paperback – 18 mar 2010
Despite her reputation as a reclusive poet, Emily Dickinson wrote more than one thousand "letters to the world," engaging in lively epistolary conversations with close to one hundred correspondents. Although these letters have found many avid readers since they were first published in 1894, they have often been viewed as mere background materials or vehicles for the writer's poems. This study offers a reevaluation of their status within Dickinson's canon, arguing for "correspondence" (rather than "poetry") as her central form of expression.
Concentrating on Dickinson's exchanges with childhood friends, as well as with Susan Gilbert Dickinson, Elizabeth Holland, Austin Dickinson, Thomas Wentworth Higginson, and the mysterious "Master," Marietta Messmer explores the poet's gradual shift from writing confessional letters to developing her unique "vice for voices" by creating fictionalized epistolary personae. While radically challenging nineteenth-century letter-writing conventions, these personae also subvert the narrowly circumscribed roles available to women at that time. Messmer shows how Dickinson used this double-voiced mode of correspondence to manipulate and interrogate a variety of male-dominated, "authorized" literary, religious, and sociocultural discourses.
Concentrating on Dickinson's exchanges with childhood friends, as well as with Susan Gilbert Dickinson, Elizabeth Holland, Austin Dickinson, Thomas Wentworth Higginson, and the mysterious "Master," Marietta Messmer explores the poet's gradual shift from writing confessional letters to developing her unique "vice for voices" by creating fictionalized epistolary personae. While radically challenging nineteenth-century letter-writing conventions, these personae also subvert the narrowly circumscribed roles available to women at that time. Messmer shows how Dickinson used this double-voiced mode of correspondence to manipulate and interrogate a variety of male-dominated, "authorized" literary, religious, and sociocultural discourses.
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Specificații
ISBN-13: 9781558497733
ISBN-10: 1558497730
Pagini: 296
Dimensiuni: 152 x 229 x 17 mm
Greutate: 0.44 kg
Ediția:First Edition
Editura: University of Massachusetts Press
Colecția University of Massachusetts Press
ISBN-10: 1558497730
Pagini: 296
Dimensiuni: 152 x 229 x 17 mm
Greutate: 0.44 kg
Ediția:First Edition
Editura: University of Massachusetts Press
Colecția University of Massachusetts Press
Recenzii
"In her intriguing study of Dickinson's correspondence, Messmer sets the stage for continued reassessment of Dickinson's literary voice."—Choice
"Messmer takes on an important topic in Dickinson studies and gives it the fullest and most sophisticated treatment to date. Her book will open up to more intense scrutiny the questions of how Dickinson's letters contribute to the poet's oeuvre generally and of how the letters can inform or illuminate studies of the poems. This is work of the first order. There is no question that it will make a significant mark in Dickinson studies, and it will probably spark fierce debate."—Cristanne Miller, coeditor of The Emily Dickinson Handbook
"Messmer takes on an important topic in Dickinson studies and gives it the fullest and most sophisticated treatment to date. Her book will open up to more intense scrutiny the questions of how Dickinson's letters contribute to the poet's oeuvre generally and of how the letters can inform or illuminate studies of the poems. This is work of the first order. There is no question that it will make a significant mark in Dickinson studies, and it will probably spark fierce debate."—Cristanne Miller, coeditor of The Emily Dickinson Handbook
Notă biografică
Marietta Messmer is assistant professor at the Research Center on the Internationality of National Literatures in Göttingen, Germany.