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A Doll's House: York Notes Advanced (York Notes Advanced)

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Notă GoodReads:
en Limba Engleză Paperback – 1900
Full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel.
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Specificații

ISBN-13: 9781405896153
ISBN-10: 1405896159
Pagini: 136
Dimensiuni: 146 x 211 x 9 mm
Greutate: 0.18 kg
Ediția: 1
Editura: Pearson Education
Colecția York Notes Advanced
Seria York Notes Advanced

Locul publicării: Harlow, United Kingdom

Cuprins

  • Part 1: Introduction
  • Part 2: The Text
  • Part 3: Critical Approaches
  • Part 4: Critical Perspectives
  • Part 5: Background
  • Further Reading
  • Literacy Terms

Caracteristici

Simon Stephens is highly regarded as a playwright, especially among young people, and so his take on a classic play will hold much interest among the drama and student communities.

Notă biografică

After graduating from Oxford University, Tanika Gupta worked as a community worker and in an Asian women's refuge for several years. She began writing drama in the early 1990s. Tanika has written extensively for theatre, radio, film and television. Her play, The Waiting Room (National Theatre), won the John Whiting Award in 2000. Titles published by Oberon Books include Inside Out (Clean Break), Hobson's Choice (Young Vic and Manchester Royal Exchange), Catch (Royal Court), Sugar Mummies (Royal Court), White Boy (National Youth Theatre/Soho Theatre), The Empress (RSC), Mindwalking (Bandbazi), Lions and Tigers (Shakespeare's Globe), Red Dust Road (National Theatre of Scotland), among others. She was nominated for the Laurence Olivier Award for Outstanding Achievement (2004), was the recipient of the Amnesty International Media Award (2005) for her radio play, Chitra and won the BBC Audio Drama Award 2013 for 'best adaptation' for her version of A Doll's House. Tanika was awarded an MBE in 2008 and received the James Tait Black Award for Lions and Tigers in 2018. She is a visiting lecturer at Central School for Speech and Drama where she is an Honorary Fellow.

Recenzii

Simon Stephens's agile new version [is] . . . quick and clear and full of subtle touches
A sensible, sensitive and spirited version . . . that chimes with the debt-laden times we're trapped in and poses still-pressing questions
The supple new version of the text by Simon Stephens is [a] great plus point . . . in this definitive take on a classic
An astute, often savagely funny version by Simon Stephens . . . And as the doll at the play's heart and hearth cracks like porcelain and the woman emerges, it's with a force that's shattering.
Simon Stephens's new English-language version of the text . . . makes the characters' anxieties feel contemporary despite the period dress. "Feminism" may not have been in Ibsen's vocabulary, but he was undoubtedly concerned with the roles we all play and why.