A Cruelty Special to Our Species: Poems

Autor Emily Jungmin Yoon
en Limba Engleză Paperback – 25 iun 2019
A piercing debut collection of poems exploring gender, race, and violence from a sensational new talent
In her arresting collection, urgently relevant for our times, poet Emily Jungmin Yoon confronts the histories of sexual violence against women, focusing in particular on Korean so-called “comfort women,” women who were forced into sexual labor in Japanese-occupied territories during World War II.
In wrenching language, A Cruelty Special to Our Species unforgettably describes the brutalities of war and the fear and sorrow of those whose lives and bodies were swept up by a colonizing power, bringing powerful voice to an oppressed group of people whose histories have often been erased and overlooked. “What is a body in a stolen country,” Yoon asks. “What is right in war.”
Moving readers through time, space, and different cultures, and bringing vivid life to the testimonies and confessions of the victims,Yoon takes possession of a painful and shameful history even while unearthing moments of rare beauty in acts of resistance and resilience, and in the instinct to survive and bear witness.
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ISBN-13: 9780062843708
ISBN-10: 0062843702
Pagini: 80
Dimensiuni: 152 x 229 x 5 mm
Greutate: 0.14 kg
Editura: HarperCollins Publishers
Colecția Ecco

Textul de pe ultima copertă

From the chief Washington correspondent for the New York Times, a richly detailed, news-breaking look at the unprecedented political fight over Antonin Scalia’s Supreme Court vacancy and the seemingly irreversible dysfunction it triggered across all three branches in the nation’s capital—ultimately delivering us Trump, Gorsuch, and Kavanaugh
The embodiment of American conservative thought and jurisprudence, Antonin Scalia cast an expansive shadow over the Supreme Court for three decades. His death at a Texas hunting resort in February 2016 created a dilemma for Republican leadership faced with the prospect of yet another Obama Supreme Court nominee, this time one who could tip the ideological balance of the court and alter the course of American history.
In Confirmation Bias, Carl Hulse tells an exclusive account of the rush of events following Scalia’s death, including Mitch McConnell’s extraordinary snap decision to deny President Obama’s nominee so much as a hearing, let alone a vote. The author recounts the unsuccessful Democratic effort to break the Republican blockade on behalf of Merrick Garland, a failure that allowed Donald Trump to exploit the vacancy to entice evangelicals and other leery Republicans to rally support and deliver him the presidency.
Newly empowered, Trump and his White House counsel Donald F. McGahn II moved quickly to install Neil Gorsuch on the court. The plan from the start was to have a second judge with a Republican pedigree—Brett Kavanaugh—join Gorsuch at the first opportunity in order to cement a majority conservative bloc. Aided by McConnell and the willingness of Republicans to bend Senate practices, the new administration set out to remake not only the Supreme Court, but the lower courts as well, further roiling the Senate and threatening public confidence in the federal judiciary.
With unrivaled access to figures on both sides of the aisle, Hulse revisits the judicial wars of the past twenty years to show how those conflicts have led to our current polarization and resulted in not one but two Trump-nominated conservative justices who could be serving for decades. Confirmation Bias is a prodigious look inside the bitter judicial politics that have torn apart the Senate and transformed the modern Supreme Court from an institution that is supposed to rise above partisanship into one that is increasingly an extension of it.
History will show, argues Hulse, that Scalia’s death and the ugly battles fought in its wake represent an inflection point in American politics, changing the trajectory of three vital arms of our government—the Senate, the presidency, and the Supreme Court—in ways McConnell could not have envisioned that night in 2016.


“With searing witness and quietly prodigious song here is a volume that speaks sharp truths to those who would wish the forgetting of one of the darkest hours of humanity. A lovely, moving, and ultimately devastating book.” — Chang-rae Lee
“Emily Jungmin Yoon finds language to convey its horror and violence—painfully and unsparingly, but somehow also with a delicacy, precision, and attention that does not impose the true (literal) brutality on the reader, which makes these poems all the more shocking and unforgettable.” — Amy Tan
“Emily Jungmin Yoon’s...un-erring lyrical sense, evident in all her poems, including these meditations on slavery and rape, allow her to transcend the limits of language itself. From her refusal of dismissive epiphany to the profound linguistic insights that underscore these rare searching poems, beauty occurs.” — Carol Muske-Dukes
“[A] deeply reverent debut collection. . . [Yoon] writes these poems in her second language, an English in which she takes mindful, absorbing residence while her ‘native tongue is a code’ that orchestrates with brimming precision what can be imagined, mourned, remembered, invented and haunted.” — Eleanor Chai
“The poems...are miracles of clarity and precision that are all the more miraculous because their strength, piercing lyricism, and transparent humanity never quaver or falter or step back for a second.” — Vijay Seshadri
“A heart-wrenching debut...Yoon’s work is compelling in part because it shows the importance of understanding history and its enduring impact.” — Washington Post

Notă biografică

Emily Jungmin Yoon is the author of Ordinary Misfortunes, the 2017 winner of the Sunken Garden Chapbook Prize by Tupelo Press. Yoon was born in Busan, Republic of Korea and received her BA at the University of Pennsylvania and MFA in Creative Writing at New York University. She has been the recipient of awards and fellowships from Ploughshares' Emerging Writer's Contest, AWP's WC&C Scholarship Competition, and the Poetry Foundation, among others. Her poems and translations have appeared in publications including The New Yorker, POETRY, The New York Times Magazine, and Korean Literature Now. She currently serves as the Poetry Editor for The Margins, the literary magazine of the Asian American Writers' Workshop, and is a PhD student studying Korean literature in the Department of East Asian Languages and Civilizations at the University of Chicago.